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The Arnold Schoenberg Center in Vienna decided to give Avior Byron the Avenir Foundation Research Grant for a one month research trip in Vienna in order to work on two books that he is writing.  
 

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My name is Avior Byron and I am a musicologist, blogger and composer. I write books, articles and a blog about music, performance, research, and theory. Read more at my about page

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The Embodiment of Authority: Perspectives on Performances

Uri Golomb called me two weeks ago and told me that he is flying to give a paper in a conference in Helsinki. I was very happy for him, but them he told me that also I am on the program. I had no idea what he was talking about. This says volumes about my memory (I have sent a proposal and forgot about it) and about my email account (did the three emails go into my spam mail or did I simply miss all of them?!).

So if you are heading to Helsinki I will be very glad to meet you!

Here is some information about the conference so that you can consider whether you want to come:

 

"Performance’s only life is the present. Performance cannot be saved, recorded, documented, or otherwise participate in the circulation of representation of representations [···]."

Peggy Phelan’s statement from the early 90s, slightly surprisingly reflecting Hegel’s aesthetics, emphasises the definitive "live" quality of performance as its ontology. Interestingly, both the concept of "live" and the diverse authorships around "saving", "recording", "documenting" and "representing" have recently been problematised in the versatile field of performance studies. In the current mediated world it seems to be more and more relevant to ask how far the ephemeral moment of the "present" actually reaches. How does one generate, define and redefine performance through the complex act of "documenting" - through recording, replaying, observing, theorising, writing and remembering? If the (hierarchical) difference between the "original" and the "representation" still casts a shadow on the study of performance, how, why and in whose interests does it have to be there?

The Embodiment of Authority Conference will be part of the recently formed international network of innovative discussion on the study of performance in the arts. One of the key aims is to look for common denominators, to link different trends in an area that seems to be developing into a major field of research in many countries. The social practices of performing, rehearsing, documenting and theorising, as well as the deconstruction of the creative process in performance, lie at the very heart of the conference.

For more information see http://www.embodimentofauthority.net/

Here is the program draft of the conference: http://www.embodimentofauthority.net/program/

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