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My name is Avior Byron and I am a musicologist, blogger and composer. I write books, articles and a blog about music, performance, research, and theory. Read more at my about page

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Upcoming interesting music conferences

Upcoming interesting music conferences - open your diary

Here are a few upcoming interesting music conferences I gathered from RHUL golden pages.

 

Theatre Noise An international conference

The Central School of Speech and Drama

University of London

Theatre Noise An international conference

Wednesday 22 - Friday 24 April 2009

Keynote presenters include:
Professor Heiner Goebbels (composer and director, managing director of the Institute for Applied Theatre Studies, Justus Liebig University, Giessen) John Collins (artistic director of the New York-based theatre company Elevator Repair Service, formerly sound designer with The Wooster Group) Theatre Noise describes the acoustic environments and auditory phenomena of theatre and performance. It is concerned, then, with that which is heard. It addresses sound design and ‘undesigned’ noises, music for performance and performance that is both ‘musical’ and ‘unmusical’, voice production and vocal utterance (speaking, shouting, singing, muttering). It proposes that theatre is that which is heard as well as that which is watched – that the theatron is a listening place as well as a seeing place.

Theatre Noise considers aurality. It asks how hearing and listening shape our experience and perception of an event. It concentrates on theatre as a subjective perceptual encounter. It addresses ways in which the noise of theatre works on our senses, and how it positions us within a visceral sphere of acoustic energy.

Theatre Noise is also interested in the inherent noise of the materials of theatre and performance: the rasping of its voices, the sounds in its environment, the interfering consciousness of ‘aural’ corporeal presence within the noisy arena of theatre as a place.

While it proposes a characteristically aural model, Theatre Noise is not confined to the auditory. It describes any atmospheric or environmental distraction, any attention-grabbing dissonance, flaw or mistake, whether sensory or imagined. It might concern any piece of residue or interference that negatively defines theatre.

The conference features examples of innovative performance practices that work in and through sound, music, voice and noise. It explores, through keynotes and paper presentations, developments in thinking and practice in sound design; music; the voice; the notion and presence of noise – all with a bearing on theatre and performance. It develops ideas and principles by way of a series of workshops. Round tables address key issues in the field. Theatre Noise also features a playback room that includes compositions and other aural contributions.

Proposals are invited that address the themes of the conference. The precise meaning of the terms ‘Theatre’ and ‘Noise’ is open to interpretation by contributors. Contributions may, for example, address areas such as:

The noise theatre of the auditory environment
Acoustic ecology
The musicality of theatre
Non-linguistic voice
Sonic arrangements and/or imperfections that help create meaning
Aural encounters that constitute ‘place’
Noise as ‘other’ – the chaotic dark material that negatively defines music, theatre, art, sound design

Proposals are invited for the following (please specify):
20-minute paper presentation
1-hour or 2-hour workshop
3-day practitioner-residency with a work-in-progress outcome
Round table
Contribution to the playback room
Proposals should be 300 words in length, with a 150-word biography of the key presenter(s). Proposals should be submitted to the conference organisers at This e-mail address is being protected from spam bots, you need JavaScript enabled to view it by 5 December 2008.

 

MOZART IN PRAGUE Mozart Society of America and Society for Eighteenth-Century Music

 

Prauge is always a great place to visit…

 

9 - 13 June 2009

CALL FOR PAPERS AND PRESENTATIONS

The Mozart Society of America and the Society for Eighteenth-Century Music invite proposals for papers and presentations to be offered at our forthcoming conference in Prague, 9-13 June 2009. We wish to explore not only Mozart and his music in the Prague setting, but also the musical culture of Bohemia and neighboring territories during the long eighteenth century. Topics may include Mozart opera in Prague, music in Bohemian convents and monasteries, musical patronage in Central Europe, Mozart’s Czech contemporaries (composers, singers, instrumentalists, impresarios), the dissemination of Mozart’s music in Central Europe during the late 18th and early 19th centuries, and important 18th-century sources and collections in the region. We welcome new perspectives on these and other topics that engage the general themes of the conference and contribute to knowledge of a rich musical culture that Mozart found particularly congenial.

Please submit an abstract of up to 500 words about your proposed topic, along with an indication of equipment necessary for your presentation, to the Program Chair: Kathryn L. Libin, This e-mail address is being protected from spam bots, you need JavaScript enabled to view it .

Deadline for proposals: 1 December 2008

 

International Symposium on Performance Science

I wrote in the following link about several performance conferences. Here is another interesting one.

INTERNATIONAL SYMPOSIUM ON PERFORMANCE SCIENCE

ISPS 2009
Performing Excellence

15-18 December 2009
Auckland, New Zealand

Convened by:

National Institute of Creative Arts and Industries
The University of Auckland

Centre for Performance Science
Royal College of Music, London

www.performancescience.org

Following a highly successful inaugural conference in Portugal in 2007, the next International Symposium on Performance Science will take place at The University of Auckland on 15-18 December 2009.

Submissions are invited for unpublished papers, posters, and symposia on research from across the arts which explores the theme Performing Excellence.

The conference will bring together performers and researchers, artists and scientists, teachers and students for an interdisciplinary exchange. For this reason, specific research topics, fields of study, and methodological approaches have been left open intentionally. Those whose primary interests lie outside of the arts, but whose work nonetheless offers implications for the performing arts and/or for performing artists, are also encouraged to attend.

Keynote speakers:

Deidre Anderson
Chief Executive Officer of U@MQ,
Macquarie University (Australia)

Sylvie Fortin
Director of the Dance Health and Performance Center,
University of Québec at Montreal (Canada)

K. Anders Ericsson
Conradi Eminent Scholar and Professor of Psychology,
Florida State University (USA)

Lord Robert Winston
Professor of Science and Society,
Imperial College London (UK)

Submissions:

Submissions are invited for

- Spoken papers
- Poster presentations
- Symposia, workshops, demonstrations

Detailed instructions for submissions are available via the conference website, www.performancescience.org. Submissions should be made electronically to This e-mail address is being protected from spam bots, you need JavaScript enabled to view it by 1 April 2009.

Graduate award paper:

The conference Organizers and Scientific Committee are keen to encourage the attendance of students, as well as established researchers and practitioners. Therefore, the ISPS 2009 Graduate Award will be offered to one graduate student to present a 30-minute keynote paper at the conference. The award will include all conference fees and accommodation.

Information on how to submit a proposal for the Graduate Award is available at the conference website. (Unsuccessful award submissions will be processed automatically as regular conference submissions.)

Review process:

Each submission will be reviewed anonymously by the Scientific Committee according to its originality, importance, clarity, and interdisciplinarity. Corresponding authors will be notified by email of the Committee’s decision by 15 May 2009.

Conference publication:

Accepted paper, poster, and symposia submissions will be published as 6-page papers in the Proceedings of ISPS 2009 (complete with ISBN), available in hardcopy at the conference and subsequently downloadable via the conference website. Details of the procedure and format for submitting published papers will be provided when authors receive notification of acceptance. Final papers for publication will be due on 1 September 2009.

Important dates:

1 March 2009    Online registration opens
1 April 2009       Submission deadline for papers, posters, and symposia
15 May 2009     Notification of submission decision
31 July 2009      End of early registration
1 Sept 2009       Deadline for final papers for the Proceedings of ISPS 2009
15 Dec 2009      Start of ISPS 2009

Additional information on the conference programme, venue, and registration costs is available on the conference website, www.performancescience.org.

The official language of the conference is English.

Dr Aaron Williamon
Head of CPS

Centre for Performance Science
Royal College of Music
Prince Consort Road
London SW7 2BS
United Kingdom

Tel +44 (0)20 7591 4348
Fax +44 (0)20 7591 4381
Email This e-mail address is being protected from spam bots, you need JavaScript enabled to view it
Web www.cps.rcm.ac.uk

 

Related posts:

Review: five upcoming conferences on performance

Review of the IMS conference 2008: what there is and what there is not to read in Hebrew in Music

Conference: The dramaturgy of sound in the music of Luigi Nono

Van Leer conference on Zionism and Lebensphilosophie

Information about music conferences (1)

 

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