Publications of Avior Byron

• Editor of the book Schoenberg’s Writings on Aesthetics and Interpretation in Performance, which is the fourth out of nine volumes called Schoenberg in Words: Teachings, Correspondence and other Writings (1890-1951), general editors: Severine Neff and Sabine Feisset, Oxford University Press, work in progress.
• Schoenberg and Performance: Changing Interpretive Perspectives. This book will focus on Schoenberg's performance aesthetics and practice as a conductor in relation to the various cultural and social environments in which he lived. Work in progress.  

   

• ‘The Test Pressings of Schoenberg Conducting Pierrot lunaire: Sprechstimme Reconsidered’, Music Theory Online (MTO), 12/1 (February 2006).

• With Matthias Pasdzierny, 'Sprechstimme Reconsidered Once Again: "... though Mrs. Stiedry is never in pitch"', Music Theory Online (MTO), 13/2 (June 2007).
• 'Pierrot lunaire in studio and in broadcast: Sprechstimme, tempo and character', Journal of the Society of Musicology in Ireland (JSMI), 2 (2006-7).
• 'Metaphysical, religious and poetic perceptions of Bronislaw Huberman', paper given in the conference 'The Embodiment of Authority: Perspective on Performances' , 2010, Sibelius Academy, Helsinki, Finland.  

• 'Demystifying Schoenberg's Conducting', Min-Ad: Israel Studies in Musicology Online (2006),

• 'Composition and performance as co-production: the Israeli case', Tav+: Music, Arts, Society, 4 (2004): 64-73 (in Hebrew).

• ‘Review Article’: ‘Review of Eric Clarke: performance expression’, Tav+: Music, Arts, Society, 2 (2003): 114-123 (in Hebrew).

• ‘Review of Harald Krebs's Fantasy Pieces’, The World of Music, 47/1 (2004).

Conferences, fellowships and scholarships

• Click here for information about conferences that Byron attended and fellowships as well as scholarships that he received

• Click here for list of compositons (audio files available for listening).